Permanent exhibitions Jüdisches Museum
Jewish Life – Jewish Rituals
The Shabbat
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The family's observance of the Shabbat at home is as central to Judaism as reciting the Torah in the synagogue every Shabbat. The very fact that observing Shabbat is included in the Ten Commandments underlines the special significance of that day. God himself having rested from the work of Creation on the seventh day is the very reason behind the commandment of rest, while it is also an eternal remembrance for the Israelites freed from bondage in Egypt.
View of the exhibition area “The Shabbat”
The celebration of Shabbat begins on Friday evening, when Kiddush is recited and the blessings over wine and bread are said. It ends with the ceremony of Havdalah on Saturday night, marking the separation of the sacred and profane, of the end of the holy day and the start of a new week.
The strict prohibition on working calls for careful preparation on the eve of the Shabbat, and in observant households the week's work is organized around the holy day.
Since cooking is work and therefore prohibited on the Shabbat, the housewife has to prepare all three meals in advance, taking into account the dietary laws or Kashrut, such as the strict separation of meat and dairy products, which in observant households requires double sets of specially marked dishes.
Furthermore, it is the solemn duty of the housewife to light the candles at the entrance of the Shabbat. In Ashkenazi homes until the nineteenth century, star-shaped hanging lamps of brass were used, which were lowered every Friday evening.
Kiddush is the ceremony of reciting blessings over a cup of wine at the beginning and end of almost every Jewish festival. Moreover, kiddush is recited at ceremonies of circumcision and marriage.
The wine blessing symbolizes the sacred nature of the ceremony or festival and is one of the most important rituals in Judaism. Every Jewish household has at least one kiddush cup, whose important function is indicated by its form or material, or by an inscription designating its use.
Although this cup bears only the Hebrew mark of the owner on the reverse of the base, its precious material and ornate form indicate that it is a ritual object. In the mid-eighteenth century it was the typical form of kiddush cup used in the Judengasse in Frankfurt.
Kiddush cup; master's mark: Röttger Herfurth; Frankfurt am Main, c. 1760; silver gilt
Besamim box in the form of a cockerel; Poland, 19th century; silver repousse; donated by Ignatz Bubis
The Shabbat ends on Saturday evening with a ceremony symbolically marking the separation (havdalah) of the sacred time of Shabbat and the profane time of the new week.
After the wine blessing and the lighting and extinguishing of a candle of twisted wicks, a box of spices (besamim) is passed around. The pleasant scent is intended to recall the peace and calm of the Shabbat.
In the course of the centuries, these boxes developed a wide variety of forms, differing from region to region and according to the wealth of the owner.
In the traditionally-minded communities of Western Europe, the tower was a frequently used form from the Middle Ages onwards, while some orthodox communities in Eastern Europe developed new forms influenced by the folk art of the region.
The cockerel, which features in many Eastern European Jewish tales, is just one example. Another popular spice box form is the fish, which is widely regarded as a Jewish symbol of happiness.
This box for spices (besamim) takes the form of a hexagonal tower with a curved spire set on a high, facetted base and stem ending in a knob.
The tower is made of silver filigree and the base is reinforced with gilded silver plates. In the six arcades of the tower there are small figures painted with enamel. Five of them are wearing the broad-rimmed black hat and long coat typical of German and Eastern European Jews. The sixth figure is a dark-skinned Indian with a crown of feathers, grass skirt and spear.
Each of the five men is making a gesture or holding an attribute relating in some way to the havdalah ceremony. The wine cup and prayer book, followed by the man who sees the light of the havdalah candle reflected on his fingernails and the man with the actual havdalah candle. The man with the tiny spice box is the last in the sequence, next to the Indian. In the eighteenth-century imagination, the Indian was a Moor, which in turn is easily associated with “mor,” the biblical Hebrew word for myrrh. Myrrh could well have been kept in such a spice box.
The iconography is legible only with a knowledge of Jewish rites and the absence of a master's hallmark could indicate that it was the work of a Jewish silversmith. Jewish craftsmen were allowed to practice in Lviv as long as they worked only for Jewish clients. As they were not allowed to become members of the guild, they were not permitted to have their own master's hallmark.
Besamim tower (spice box); Lemberg (Lviv), c. 1806; silver filigree, enamel; Austrian hallmark; donated by Josef Buchmann
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Last change: 2010, January 13
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